from the archive: reviews
Reviews originally published in art ltd. magazine, artscene, art + cake, fabrik, hi-fructose, and visualartsource.com
Aaron Morse, “Lights out in the Territories,” at Philip Martin Gallery
In a 2002 interview, the inimitable Kirk Varnedoe — looking back at his tenure...
Lia Halloran at LUX Art Institute
Review: Lia Halloran: Artist-in-ResidenceSeptember 7—November 3, 2018
Los Angeles–based Lia Halloran has long explored the intersection...
Editor’s Pick: James Turrell
Kayne Griffin Corcoran, Los Angeles, California
Review by Molly Enholm
Continuing through August 25, 2018
In 2013,...
Recommended: Mokha Laget at Louis Stern Fine Arts
Cantilever #2, 2018, Mokha Laget, acrylic, pigment, flashe on shaped canvas
37 x 49 in.It...
The Feminine Sublime at PMCA
The Romantic notion of the sublime continues to haunt our consciousness, often accompanied by...
“Melting Point” at the Craft and Folk Art Museum
The inaugural edition of the clay biennial, titled “Melting Point” is a survey of...
Circles and Circuits I & II
California African American Museum
(September 15, 2017–February 25, 2018)
Chinese American Museum
(September 15, 2017–March 11, 2018)
The...
Adam Silverman, “Ghosts” at Cherry and Martin
The installation of Adam Silverman’s current exhibition at Cherry and Martin is immediately striking....
Wu Bin “Ten Views of a Lingbi Stone”
Among the most prestigious of a Chinese scholar’s personal assets, Lingbi stones are naturally...
“California Dreaming: Contemporary California Art from the Weisman Collection”
Frederick R. Weisman Museum of Art at Pepperdine University
Kinesthesia: Latin American Kinetic Art, 1954-1969 at the Palm Springs Art...
Over the past few decades, the term “analog” seems to have acquired new significance,...
